

It has a mastering algorithm that is perfect for subtly compressing and amplifying different parts of the sound spectrum, such as midrange frequencies (which are typically located in vocals or guitars). You can use the FabFilter Pro-C2 compressor to master your tracks.

With oversampling enabled later on as well (which reduces peaking), you are left with an even better sound than before! I also ensured transients were retained through these changes, which made for a more impressive kick, vocal, and high-hats. I also took my time to experiment with the attack and release of each band in order to make sure that distortion was eliminated. Although any change made could make other aspects worse while bringing out new parts (like changing dynamics), what matters most about mastering music is making sure nothing stands out negatively overall! When doing mastering like this, it’s important that there are no loud areas because they may cause distortion if pushed too far before reaching 0dB once again. You need a range of frequencies from low and high, so you should set up some bands with this compressor by enabling it on each section separately for instance, “bass” or “highs.” This is done when setting parameters such as amplitude and how responsive the signal will be in relation to changes. You can use multiband compression to master your audio track using the FabFilter MB Multiband Compressor. You can also create mid/side stereo imaging by selecting M/S mode this will introduce high pass side chain filter in order reduce low frequencies from being compressed while still maintaining control over other delicate frequency ranges.įor those who want more intensity but less pumping effect when limiting their track volume levels then activate hard ratio limiters which are perfect for aggressive mastering workflows. It’s got many useful features, like the ability to link controls across multiple compressors, as well as make your processing collective with gang compression technology which enables you to turn all four dyna-mus into one for maximum power! The Dyna-mu plugin is a highly versatile compressor and limiter that can be used on individual channels or groups of channels. The right side will control the same settings for right channel volume levels – just remember that each setting only affects its respective button! You can adjust input level as well as threshold reduction with attack time and release times next to them below.

Up top are controls for left channel compression: Top use this stereo amplifier on your master track, you’ll need to turn down both channels so that they’re equally loud (you may have trouble doing this by ear!). The Dyna-Mu compressor from IK Multimedia is one of the most popular and versatile compressors in music production, but it can be a little intimidating at first.
